Aaron Morgan Art Portfolio
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      • WORKING DURING THE PANDEMIC
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  • HOME
  • Upcoming Shows and News
  • Works on Paper
    • WORKS ON POST IT NOTES >
      • WORKING DURING THE PANDEMIC
      • SHOPPING CARTS OR THE BUILDING BLOCKS OF LATE STAGE CAPITALISM
      • TREES
    • BIRDS >
      • BLIND RAVENS TELLS TALES
      • AN UNKINDESS OF CROWS
      • MESSENGER
  • SITE SPECIFIC INSTALLATION PIECES
    • 87 Days and Counting with Nick Ames
  • ARCHIVE/ LINKS/ SPECIAL PROJECTS
    • illustration
    • Art for every page of Haruki Murakami's Wind - Up Bird Chronicle
    • RAVENS AND CROWS ON FOUND PAPERS
    • AN UNKINDNESS OF RAVENS >
      • AN UNKINDNESS OF RAVENS SERIES 1 (2017-21)
    • WORKS ON FOUND PAPERS/OBJECTS
    • TWEET YOU! AWKWARD TWITTER DATES
    • IN LOVING MEMORY
    • PUNCH CARD CROWS
    • TRUE BLACK METAL BUNNY
    • Mail art
    • Erotica
    • Archive
  • CV/ RESUME
  • SHOP
  • Blog
  Aaron Morgan Art Portfolio

​Working during the PANDEMIC

​In this series of work, I’m exploring the intricate relationship between individuals and the
landscape of late-stage capitalism during the high days and new post realities of the Covid -19
Pandemic, focusing on consumerism and the disposability of the working class.
One continuous thread throughout all my work is that I like to use common, almost ubiquitous
materials to provide an additional layer of subtext to the images. For this group of self-portraits, I
have used nontraditional materials such as Post-it Notes and clip boards along with your more
traditional artist materials of ink and watercolor. Post-it Notes are an essential tool for idea
generation, innovation, and collaboration in a lot of workplaces, especially in the office
environment that I work in.
Post- it Notes specifically add an additional layer to the visual conversation in the work because
they are both a mode of information distribution and a tool of informatic decontextualization.
They also represent a certain amount of disposability within an office setting that is analogous to
how I felt during the height of the pandemic, when what was deemed an “essential worker” was
being radical reinterpreted to reinforce a societal narrative around class structures.
The work invites contemplation on the intricate networks that bind us and repels us as society
as well as a vehicle to reflect on the paradox of interconnectedness and isolation in the new age
we are cohabitating in.
Picture
Work Self Portrait 12/2/21. Ink and watercolor on arranged Post it Notes mounted to found clip board. 11" X 8". 2022
Picture
Work Self Portrait 2/3/23. Ink and watercolor on arranged Post it Notes mounted to found clip board. 11" x 8" . 2023
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